We speak the language of questions. All came, and still comes, from the natural world. And it often falls apart from me. Its Spanish and English, and Im trying, and Ill look at him and be like, How much degrees is it?, And hes like, Are you trying to ask me what the weather is?. And they would say, I dont want to go to yoga. And I was like, Why? And they said, I just dont want anyone telling me when to breathe.. You should take a nap.. Before the new apartment. Or theres just something happens and you get all of a sudden for it to come flooding back. Well, a lot of us I think are still a little agoraphobic. And that between space was the only space that really made sense to me. Alex Cochran, Deseret News. Limn: Yeah. the world walking in, ready to be ravaged, open for business. Alice Parker Singing Is the Most Companionable of Arts. I could. Each of us imprints the people in the world around us . Tippett: And I also just wondered if that experience of loving sound and the cadence of this language that was yours and not yours, if that also flowed into this love of poetry. These full-body experiences of isolation and ungrieved losses and loneliness and fear and uncertainty. Yeah. And we all have this, our childhood stories. Copyright 2023. We journalists, she wrote, "can summon outrage in five words or Something I remember reading is that you grew up in an English-speaking household, but your paternal grandfather spoke Spanish and that you just loved to listen to him. And theres sort of an invitation at the end. Lean Spirituality. What were talking about and not when we talk about mental health. We live in a world in love with the form of words that is an opinion and the way with words that is an argument. And what of the stanzas, we never sing, the third that mentions no refuge, could save the hireling and the slave? With. It suddenly just falls apart, and I feel like there are moments that I travel a lot in South America, with my husband, and by the end of the second week, my brain has gone. Page 40. [Music: Seven League Boots by Zo Keating]. and I never knew survival And that is so much more present with us all the time. I live in the low parts now, most So I want to do two more, also from. Enough of osseous and chickadee and sunflower We want to rise to what is beautiful and life-giving. red glare and then there are the bombs. And then Ill say this, that the Library of Congress, theyre amazing, and the Librarian of Congress, Dr. Carla Hayden, had me read this poem, so. And I was having this moment where I kept being like, Well, if I just deeply look at the world like I do, as poets do, I will feel a sense of belonging. You said a minute ago that the poetry has breath built into it, and you said also that, you have said: its meant to make us breathe. It feels important to me, right now, because I want to talk to you about this a little bit, what weve been through. Tippett: I love that. If you think about it, its not a good, song. All right. Editor's note: This Q&A has been adapted from the podcast "Interfaith America with Eboo Patel.". KRISTA TIPPETT, HOST: We're increasingly attentive, in our culture, to the many faces of depression and its cousin, anxiety, and we're fluent in the languages of psychology and medication.But depression is profound spiritual territory; and that is much harder . Perhaps SHARE. I am too used to nostalgia now, a sweet escape. Why not that weed? Our entire world is spent that way. Perhaps, has an unsung third stanza, something brutal, snaking underneath us as we absentmindly sing, the high notes with a beer sloshing in the stands, hoping our team wins. SHARE 'It's a hard time in the life of the world' a conversation with Krista Tippett. Yeah. I just saw her. adrienne maree brown "We are in a time of new suns" On Being with Krista Tippett Society & Culture "What a time to be alive," adrienne maree brown has written. Join these two friends and interpreters of the human condition for . And I also just wondered if that experience of loving sound and the cadence of this language that was yours and not yours, if that also flowed into this love of poetry. It is the world and the trees and the grasses and the birds looking back. Okay. Theres daytime silent when I stare, and nighttime silent when I do things. And I was in the backyard by myself, as many of us were by ourselves. It comes back to these questions of like, Why do I get to be lucky in this way? people could point to us with the arrows they make in their minds. Theres how I stand in the lawn, thats one way. of dust and I wish to reclaim the rising. Limn: And then Ill say this, that the Library of Congress, theyre amazing, and the Librarian of Congress, Dr. Carla Hayden, had me read this poem, so. What is the thesis word or the wind? So Im hoping. It touches almost every aspect of human life in almost every society around the world right now. abundance? So I think were going to just have a lot of poetry tonight. The On Being Project In fact, Krista interviewed the wise and wonderful . Youre never like, Oh, Im just done grieving. I mean, you can pretend you are, right, but we arent. Limn: I think its definitely a writing prompt too, right? But he is driven by passionate callings older and deeper than his public vocation as an actor and comedian. and desperate, enough of the brutal and the border, enough of can you see me, can you hear me, enough. Which makes me laugh, in an oblivion-is-coming sort of way. And I know that when I discovered it for myself as a teenager that I thought, Oh, this is more like music where its like something is expressing itself to you and you are expressing yourself to it. But I do think youre a bit of a So the thing is, we have this phrase, old and wise. But the truth is that a lot of people just grow old, it doesnt necessarily come with it. How am I? You could really go to some deep places if you really interrogated the self. But you said I dont know, I just happened to be I saw you again today. Tippett: Would you read this poem, The End of Poetry, which I feel speaks to that a bit. And the last voice that you hear singing at the end of our show is Cameron Kinghorn. The Pause is our Saturday morning ritual of a newsletter. And that feels like its an active thing as opposed to a finished thing, a closed thing. Tippett: I have your books, and theres some, too. People will ask me a lot about my process and it is, like I said, silence. Im really longing I realized as I was preparing for this, Im just Of course, I read poetry, I read a lot of poetry in these last years, but I realized Im craving hearing poetry. We are located on Dakota land. That its not my neighborhood, and they look beautiful. She created and hosts the public radio program and podcast On Being . And its funny to tell people that youre raised an atheist because theyre like, Really? But I was. nest rigged high in the maple. But if you look at even the letters we use in our the A actually was initially a drawing of an ox, and M was water. You said there in a place, as Ive aged, I have more time for tenderness, for the poems that are so earnest they melt your spine a little. Too high for most of us with the rockets. thats sung in silence when its too hard to go on, And poetry doesnt really allow you to do that because its working in the smallest units of sound and syllable and clause and line break and then the sentence. On Being with Krista Tippett. Adventures into what can replenish and orient us in this wild ride of a time to be alive: biomimicry and the science of awe; spiritual contrarianism and social creativity; pause and poetry and . Also: Kristin Brogdon, Lindsey Siders, Brad Kern, John Marks, Emery Snow and the entire staff at both Northrop and the Ted Mann Concert Hall of the University of Minnesota. Our younger listeners have asked to hear adrienne maree browns voice on On Being, and here she is, as we enter our own time of evolution. and the stoic farmer and faith and our father and tis I think there were these moments that that quietness, that aloneness, that solitude, that as hard as they were, I think hopefully weve learned some lessons from that. days a little hazy with fever and waiting . Im so excited for your tenure representing poetry and representing all of us, and Im excited that you have so many more years of aging and writing and getting wiser ahead, and we got to be here at this early stage. I could be both an I for the safety of others, for earth, Limn: Not the Saddest Thing in the World, All day I feel some itchiness around In her Peabody-award winning public radio show and podcast, On Being, Krista Tippett provides a space for deep and meaningful conversations with profound thi. And so I think my investigation or my curiosity is not so much talking about poetry, but about where poetry comes from in us and what poetry works in us. Shes teaching me a lesson. So you get to have this experience with language that feels somewhat disjointed, and in that way almost feels like, Oh, this makes more sense as the language for our human experience than, lets say, a news report.. Her six books of poetry include, most recently, won the National Book Critics Circle Award for Poetry, and her book. red helmet, I rode Tippett: I chose a couple of poems that you wrote again that kind of speak to this. out. Tippett: A lot of them are in the On Being studio, they come in the mail. Yeah. letter on the dresser, enough of the longing and Tippett: Its that Buddhist, the finger pointing at the moon, right? and then, Our lovely theme music is provided and composed by Zo Keating. Return like a word, long forgotten and maligned. What if we stood up with our synapses and flesh and said, No. scratched and stopped to the original Shes written, Science polishes the gift of seeing, Indigenous traditions work with gifts of listening and language. An expert in moss a bryologist she describes mosses as the coral reefs of the forest. Robin Wall Kimmerer opens a sense of wonder and humility for the intelligence in all kinds of life we are used to naming and imagining as inanimate. And he had a little cage, I would make sure he was And he would get bundled up and carried from house to house. So Sundays were a different kind of practice, if you will, a different kind of observation. And I think there was a part of me that felt like so much of what I had read up until then was meant to instruct or was meant to offer wisdom. But the song didnt mean anything, just a call Only my head is for you. It has ever and always been true, David Whyte reminds us, that so much of human experience is a conversation between loss and celebration. We are fluent in the story of our time marked by catastrophe and dysfunction. So it was always this level in which what was being created and made as he was in my life was always musical. Its a source of a spiritual thoughtfulness that runs through this conversation with Krista. edges of the world, smudged by mist, a squirrels. Tippett: So I feel like the last one Id like for you to read for us is A New National Anthem, which you read at your inauguration as Poet Laureate. I feel like our breath is so important to how we move through the world, how we react to things. Dont get me wrong, I do, like the flag, how it undulates in the wind. And so, its so hard to speak of, to honor, to mark in this culture. The one that always misses where Im not. Limn: Yeah. This means that I am in a reciprocal relationship with the natural world, not that it is my job to be the poet that goes and says, Tree, I will describe it to you.. Anthem. And that between space was the only space that really made sense to me. Tippett: I dont expect you to have the page number memorized. Tippett: I think grief is something that is very We have so much to grieve even as we have so much to walk towards. Kalliopeia Foundation. The caesura and the line breaks, its breath. And so I have. And if I had to condense you as a poet into a couple of words, I actually think youre about and these are words you use also wholeness and balance. In generational time, they are stitching relationship across rupture. And it feels important to me whenever Im in a room right now and I havent been in that many rooms with this many people sitting close together that we all just acknowledge that even if we all this exact same configuration of human beings had sat in this exact room in February 2020, and were back now, were changed at a cellular level. the ego and the obliteration of ego, enough We touch each other. And I kept thinking how I missed all my family, and I missed my father and his wife, and I missed my mother and stepfather. The next-generation marine biologist Ayana Elizabeth Johnson would let that reality of belonging show us the way forward. And then what we find in the second poem is a kind of evolution. No shoes and a glossy Tippett: Look at all these people. And that there was this break when we moved from pictographic language, which is characters which directly refer to the things spoken, and when we moved to the phonetic alphabet. Science and the Human Spirit. and snowshoes, maple and seeds, samara and shoot, enough chiaroscuro, enough of thus and prophecy, and the stoic farmer and faith and our father and tis, of thee, enough of bosom and bud, skin and god. If you are here, you are likely already part of this. Tippett: And then Joint Custody from The Hurting Kind. Silence, which we dont get enough of. not forgetting and star bodies and frozen birds, and enough of the pointing to the world, weary Theres a lot of different People. This is a moving and edifying conversation that is also, not surprisingly, a lot of fun. With an unexpected and exuberant mix of gravity and laughter laughter of delight, and of blessed relief this conversation holds not only what we have traversed these last years, but how we live forward. is so bright and determined like a flame, This hour, Krista draws out her creative and pragmatic inquiry: Could we let ourselves be led by what we already know how to do, and by what we have it in us to save? Silence, which we dont get enough of. And you mentioned that when you wrote this, when was it that you wrote it? On Being, which began on public radio, has been named a best podcast by The New York Times, The Wall Street Journal, The Guardian, the Webbys, iHeart Radio with more than 400 million downloads. Krista Tippett leaves public radio. We point out the stars that make Orion as we take out Sylvia gifts us this teaching: that nurturing childrens inner lives can be woven into the fabric of our days and that nurturing ourselves is also good for the children and everyone else in our lives. And I was feeling very isolated. Every week: practices and goodies to accompany your listen. Join our constellation of listening and living. Yet whats most stunning is how presciently and exquisitely Ocean spoke, and continues to speak, to the world we have since come to inhabit its heartbreak and its poetry, its possibilities for loss and for finding new life. We practice moral imagination; we embrace paradoxical curiosity; we sit with conflict and complexity; we create openings instead of seeking answers or providing reductive simplicity. A bit human life in almost every aspect of human life in almost society! With lizzo on being krista tippett synapses and flesh and said, silence and wonderful come with it Oh, Im just grieving... 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